E X T E N S I O N READING AND DRAMATIZING (II) Refer to the instructions in the Extension of the previous Chapter. From PRESUMPTION OR THE FATE OF FRANKENSTEIN by Richard Brinsley Peake (1823). [continuation] ACT ONE, SCENE I [An apartment in the house of Elizabeth. Table and chairs. Hurried music. Frankenstein enters hastily to the centre of the stage. Music ceases.] FRANKENSTEIN: At last in my sister s house! And safe! I have walked with quick step, but at every turn feared to meet the wretch What have I cast1 on the world? A creature powerful in form, of supernatural and gigantic strength, but with the mind of an infant. Ha! Who approaches? [Enter ELIZABETH. They embrace.] ELIZABETH: My dear Victor! My dear brother! FRANKENSTEIN: Elizabeth! ELIZABETH: You come to stay, I hope, till our wedding is over. Clerval will be here presently. Alas! Frankenstein! your cheek is pallid Oh, Victor, what are the secrets that prey upon2 your mind and form? The pernicious air of your laboratory will be fatal to you. FRANKENSTEIN: [apart] Fatal indeed! ELIZABETH: I pray you, for my sake3, stop doing anything you have been working on. FRANKENSTEIN: [aside] Am I discovered? ELIZABETH: You change colour, my dear brother. I will not mention it, I there is a wildness in your eyes for which I cannot account. FRANKENSTEIN: [starts4] See see he is there! ELIZABETH: Dearest Frankenstein what is the cause of this? FRANKENSTEIN: Do not ask me. I Actor James William Wallack I thought I saw the dreaded spectre as Frankenstein. glide into the room. ELIZABETH: Calm your mind, Victor... FRANKENSTEIN: Farewell, sister, farewell. [They embrace, and exeunt separately.] 1. 2. 3. 4. cast: scagliare, far cadere. prey (up)on: logorare. for my sake: per amore mio. start: sobbalzare, trasalire. 44