E X T E N S I O N MACBETH IN MUSIC Classic Editions The Italian composer Giuseppe Verdi loved Shakespeare s plays and was particularly attracted by Macbeth because it describes the conflict between ambition, loyalty and love. The manager of the Teatro Pergola in Florence asked Verdi to compose an opera for the Carnival and Verdi composed Macbeth in 1846-1847 with the libretto1 by Francesco Maria Piave. At the end of the 18th century Richard Strauss composed Macbeth, one of his earliest tone poems2 (1890). Strauss tried to match3 the story line of Macbeth with the musical content of the tone poem. (libretto by H. von Hofmannsthal). The Macbeths of Verdi and Strauss were quite realistic and close to Shakespeare s work. Ernest Bloch, on the contrary, tried to be faithful4 to the symbolist movement of his period. The opera Mac Beth (libretto by Edmond Fleg) shows the influence of both the Germanic school of Richard Strauss and the impressionism of Claude Debussy. It is an opera in three acts, composed between 1904 and 1906. Lady Macbeth of the Mtsensk District (1934) is an opera in four acts that Dmitri Shostakovich dedicated to his first wife. Based on a Russian libretto by Alexander Preis, the opera takes the name from the short story by Nikolaj Leskov. With its passionate 1. libretto: words sung in an opera. 2. tone poem: piece of orchestral music with a narrative or illustrative element (poem, story or novel, painting). 3. match: compare, relate. 4. faithful: close to. 58